Benches by Roel Vandebeek
May 6th, 2009Designer: Roel Vandebeek
Produced by Wolters Street furniture
Street furniture from Wolters is at home wherever you put it. It offers unsurpassed comfort to both town and city dwellers and fits easily into any street scene. Our secret? Working together with designers who are just that little bit ahead of the times to produce brilliant street furniture. Besides that, of course, there’s perma-nent innovation, using only quality materials which are built to last and high standards of production in our own workshop.available in natural FSC hardwood or ash, or alternatively treated with colour lazure, available again in most RAL coloursgalvanised steel and is finished in polyester powder coat.
Cutting Up Knives
May 6th, 2009
Designers: Jim Hanon-Tan, Paul Kogelnig, Gabriel Heusser
production: Pervisioni
The future of mass production is mass customization. Cutting up Knives is a production of selected knives, modified to become bottle openers through the application of an industrial process.Each bottle opener is individually chosen and cut. Beautiful name brand knives have been ruthlessly trans-formed, while factory rejects and second hand knives have been recycled, modified to become useful once again. Each Opener is functional and unique piece which is still connected to its own unique history.
Anne Table by Gareth Neal
May 6th, 2009
Designer: Gareth Neal
American Walnut 1200mm x 400mm x 760 mm
Gareth Neal is a london based furniture designer who combines traditional forms and craftsmanship withcontemporary tools and design. neal currently tea-ches design and runs his own studio. most of neal’sdesigns use wood as their core material, sculpting it in a variety of ways. one such example is his CNCmilled pieces which have a boxy outer form that is milled to reveal a baroque like interior. in these pieces,neal uses the preciseness of milling to create the forms with the form. other pieces have a more orga-nicapproach, using fluid forms as supports. likewise, neal has also designed an aluminium rocking chair anda steel rod lamp.
Book of lights by Takeshi Ishiguro
May 6th, 2009Designer: Takeshi Ishiguro
Produced by Artecnica Inc
Materials:Paper / Fabric
closed:W 11 in, 27.9 cmD 12.75 in, 32.4 cmH 2.25 in, 5.7 cm
opened:W 11 in, 27.9 cmD 27.75 in, 70.5 cmH 11.5 in, 29.2 cm Three .06 Watt LEDsLightbulb: 3V - .06W
Dishrack by Ransmeier & Floyd
May 6th, 2009Gradient, Ransmeier & Floyd 2005-2008
A dense concentration of rods useful for holding cutlery and thin glassware fades evenly to a spacing large enough to accommodate bowls, plates and pans. A flexible mesh connects the posts, allowing the structure to be twisted open and rinsed. The excess water drains into a tray beneath, which can be emptied and cleaned.
Landmarks Cone / Landmarks Roof by Sylvain Willenz
May 6th, 2009Designer: Sylvain Willenz
Year: 2009
Production: Established & Sons
Types: LandMark Cone / Landmark Roof.
Materials: Steel, opal acrylic / Cone versions available in full Black Soft Touch finish
Dimensions: Tall: 175cm, Reading: 125cm, Table: 38cm
Colours: Orange: RAL: 2004 / Grey RAL: 7038 / Also Black Soft Touch for the Landmark Cone
This series of lights is inspired by outdoor functional devices designed to be seen from the sky. The Landmark Roof light, is inspired by signs found along roads which usually indicate milage and underground gas conduct trails. The Landmark Cone light takes its shape from the well known windsock, a simple textile tube on a pole, used to indicate wind direction. In low winds the wind sock droops and in high wind it floats horizontally, hence the articulated top of the light.
Landmarks development sketch
Tara Donavan
April 30th, 2009
I don’t have any other words for this work but WOW! Tara Donovan rocks the installation art. From fishing wire to plastic straws, her work is stunning and will leave you asking the question–How? Donovan’s work uses everyday manufactured materials such as Scotch tape, Styrofoam cups, and drinking straws to create large scale sculptures that often have a biomorphic quality. Her sculptures must be assembled and disassembled carefully, which sometimes involve an extremely tedious process. With regards to her artistic process, Donovan explained that she chooses the material before she decides what can be done with it. She noted in an interview that she thinks “in terms of infinity, of [the materials] expanding.” 

Styrofoam Cups, Hot Glue
http://www.acegallery.net/past/d-f/donovantara/taradonovan.htm
ChindÅgu!
April 30th, 2009Stick by AtelierUtopia
April 30th, 2009AtelierUtopia sent over this great prototype of their Stick Lamp. It comes in 2 sizes and either black or white. Custom colors are available on request.






















